“Buy a good pair of comfortable shoes, have a camera around your neck at all times, keep your elbows in, be patient, optimistic and don’t forget to smile.” Words of wisdom from Matt Stuart, one of the most experienced and influential street photographers of the modern era. He has been shooting the streets of London for over 20 years and taken his craft around the world, making compelling images and passing on his passion for street photography wherever he travels. He has taught workshops for Leica across Europe, America, and Asia. AUSSIE STREET is delighted to be bringing Matt to Australia to teach and present his work for the first time as part of the AS2019 street photography festival. Held over September 20-22, 2019 at Comber St Studios, Paddington.Read More
A modern Australian cultural scene representative of the welcome we give to overseas artists who travel long distances to reach us. Here Aussies display unbridled participation at Iggy Pop’s Opera House concert in April. A woman's outstretched hand touches Iggy who seems unaware of her approach as the crowd presses around him - a scene depicted in Mark 5:25-34. My photo, redolent of Caravaggio’s chiaroscuro technique, went crazy on social media making 40,000 people, including Iggy Pop who was about to celebrate his 72nd birthday, very happy.Read More
The Photographers’ Corner collective gathered for our annual meet-up in Canberra over a weekend in mid-October 2018.Read More
What's interesting about a street photograph is that it carries a moment from the past into the present. We're looking at a time capsule of the way things were. Here I am in Sydney with two fellow photographers Simone Cheung and Simon Ross capturing that time capsule of Sydney life in the Autumn of 2018.Read More
The neighbours in Cascade Road, Norfolk Island objected to the choice of colour for the roof of a new house to be built in their street. The construction went ahead with the coloured roof and on completion the owners placed a sign on their front fence proudly announcing their new roof.
This is a photo essay of what followed...Read More
A poem by Terry Veling with images of Whitney Plantation.Read More
The facades on display in the French Quarter of New Orleans.Read More
Leica Akademie Australia continues Leica’s long tradition of high quality photographic education with a workshop on street photography with Jesse Marlow in Sydney around the Rocks, Circular Quay and the Opera House.Read More
Returning from overseas, Emma Swift supported Robyn Hitchcock and introduced their new 7" single at the Newtown Social Club on Sunday 11th December 2016 shocking us with electric guitar, a bright orange wide-leg jump suit and a new song. What a delightful night!Read More
Here is a link to my efforts from the past 12 months. I'm young but daily growing. I managed to channel Dylan, Beethoven, Lennon, Eggleston, Winogrand, Rimbaud, Marlow, Ess Vaun, Cheung, Armstrong, The Abysssic Wizard, Crewdson, Andrews, Dante, James et al…. I hope you enjoy the preview.
Trying to channel William Eggleston.
Eggleston photographed life in rural and roadside settings in Memphis in a way that finds "general emotion or psychological conditions in specific subjects. These isolated moments, embedded in the mundane, exude loneliness and forgetting".Read More
Sugar Pine Walk can be found at Laurel Hill south of Batlow on the Tumbarumba Rd.Read More
One sixth of a second to fall in love with Adelong, NSW.Read More
Captain Cook Hotel, Paddington. Sunday Night, 3rd July 2016.
Sydney streets after a visit to the Art Gallery to see the Frida Kahlo and Diego Rivera exhibition with Sue.
A great day shooting in Sydney with fellow Leica friends Ess Vaun and Michael Jolliffe.
What follows is a copy of my Facebook post in The Photographer’s Corner Collective on 9th January 2016 regarding Michael Armstong's book.
Jonathan, I brewed the coffee, placed Beethoven on the turntable and in the quiet of this morning studied your Dad's book “My Lucky Third Eye”.
Loved every minute of it!
Some highlights that stood out for me:
Find fascinating juxtapositions. I think Michael is too humble when he says: 'What a large part chance plays in photography'. I think he knew when a scene needed that something special and he waited for it and he innately knew where to stand and when to press the shutter. He employed a lot of patience. And revisited a scene many times until the light was right.
Tell a story, e.g. Town Hall steps (How often have I walk past those steps thinking "There's a photo there somewhere.") the Train station girl, the Boy meets Girl, the separated couple at the picnic table.
Be poetic and spiritual - Dante's Inferno, his use of fog
Reference the masters of painting from the Dutch Masters, Rembrandt to Turner
Photograph an Icon differently, or, how not to just produce that postcard photo everyone else does.
"If you want to get lucky...it pays to be ready." Your Dad describes waiting to buy a coffee and in that time still has his camera ready to see and take a great photo!
He likes the wide angle lens and does not manufacture a photo that was not there but is very conscious of forming an image to suit the mood in post e.g. the boy in the boat and the people dragging branches on the beach.
Find the fun moments. The leg is pure Matt Stuart and then the tag! The yawning Masai? How ordinary for him but special for us?
Finally, I could very much relate to Michael's reason for taking photos: "I feel compelled to".
Wonderful book and great set of photographs Jonathan. Very entertaining looking through the book and inspiring as well.
Thanks again to you and your Mum.